Posted on February 3, 2021 by Steffany Salloum
In Part 3 of the series, the Buffalo People Arts Institute prepare the buffalo hide for scraping.
A lot of work goes into preparing the buffalo hide for scraping. First, you start by spreading out the hide and washing it, keeping it wet so it doesn’t dry out and harden. Before working on the hide it is important to smudge and pray for the hide, to work with it in a good way. It is important to remain open to the teachings of the hide and reflect while you are working on it. Then, in order to string up the hide it needs many holes cut into the edges of the hide. In order to make the holes it is important to cut the fat off from around the edges before it is strung up, otherwise it becomes too difficult scraping around the rope and holes. After the crew is done scraping around the edge and the holes are made, they can begin to make the 10×10 frame with which the hide will be tied to and strung up so that they can begin scraping.
Joely BigEagle-Kequahtooway and Lorne Kequahtooway are artists and leaders behind the Buffalo People Arts Institute (BPAI). Founded in 2015, BPAI became a non-profit organization whose mission is to share traditional Indigenous teachings and knowledge in order to raise social consciousness and create awareness of the power and strength drawn from blood memory and our connection to the buffalo.
In collaboration with NCCIE and Common Weal, BPAI documents the process of and teachings about buffalo hide tanning. This series of stories entitled, Buffalo Hide Tanning and Teachings, takes you on a journey of exploring connection to the buffalo while also reflecting on the social and historical realities of the buffalo and the people who rely on its survival.
Posted on by Steffany Salloum
In Part 4 of the series, the Buffalo People Arts Institute demonstrate hide scraping tips and techniques.
The meditative act of scraping a buffalo hide activates and re-awakens who we are through both physical and spiritual memories in our hearts and minds. As we do this work, we remember that our ancestors were trained from a young age to do this work and by knowing this we feel connected to them. We do this work together and are committed to seeing it through which bonds us as women. Joely BigEagle-Kequahtooway explains, “just like the buffalo we have made it through the dark times of colonization, and now we have to do this hard work to make it through the next parts.” For BigEagle-Kequahtooway, the buffalo feeds her spirit and by doing this work it makes her spirit happy – one lesson is to take actions that feed your spirit.
Joely BigEagle-Kequahtooway and Lorne Kequahtooway are artists and leaders behind the Buffalo People Arts Institute (BPAI). Founded in 2015, BPAI became a non-profit organization whose mission is to share traditional Indigenous teachings and knowledge in order to raise social consciousness and create awareness of the power and strength drawn from blood memory and our connection to the buffalo.
In collaboration with NCCIE and Common Weal, BPAI documents the process of and teachings about buffalo hide tanning. This series of stories entitled, Buffalo Hide Tanning and Teachings, takes you on a journey of exploring connection to the buffalo while also reflecting on the social and historical realities of the buffalo and the people who rely on its survival.
Posted on January 29, 2021 by Steffany Salloum
The Warrior’s Club is a land-based education group that meets bi-monthly to learn experientially about the land.
Tanya McCallum, is one of the land-based instructors at Sturgeon Lake Central School who help leads a Warrior’s Club for Indigenous male youth ages 11-15, she along with Lionel McKenzie. The Warrior’s Club educates youth and encourages them to develop a relationship with the land. Between the skills that they develop and the connections they make, the activities they engage in are meant to empower the next generation of men. The Club meets twice a month and engages in the following activities: camping, snaring, harvesting deadfall from the bush and chopping the wood, fire keeping, fishing, ice fishing, kayaking, canoeing, history lessons, and Cree language instruction.
Recently, the boys received chainsaw and axe safety lessons prior to using the equipment. After that, they were able to harvest the deadfall from the bush, chop the wood, and deliver the chopped wood to Elders and families in the community who were struggling financially. The boys are eager to provide this service to their community and the community members value the youth for their efforts.
This program has been made possible since 2017 due to the collaboration between Belinda Daniels and her uncle Velmer Ermine, who write up the grants and reports for and through Jordan’s Principle. This is a community collaboration, a ‘grassroots’ initiative between all who all support the program and the youth involved, and a special gratitude to the numerous guest speakers who enrich this program throughout all of the years.
Posted on January 26, 2021 by Steffany Salloum
By believing in practicing all of the components of Natural Law we are able to protect ourselves from being vulnerable.
Vee Whitehorse of Standing Buffalo Dakota Nation presented at the Regina Elders Gathering in February 2020. Whitehorse is a leader at Leading Thunderbird Lodge where he supports Indigenous youth who are struggling with addictions. The holistic youth treatment centre offers opportunities for youth to connect with their culture, explore their identities, and heal. At the Elders Gathering, Whitehorse frames his discussion around the question: What are you dressed up in? He suggests that language, kinship, ceremony, and Mother Earth/heavens create a Natural Law and when you practice these components you will be less vulnerable, insulated or ‘dressed up’ and can protect yourself.
