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Wiingashk Alternative Secondary School, N’Amerind Friendship Centre (London)

Wiingashk Alternative Secondary School is located at N’Amerind Friendship Centre in London. This program offers urban Indigenous students a culture-based education that balances the secondary school curriculum with wholistic, culturally relevant educational approaches.

Wiingashk offers opportunities to learn life skills and Indigenous cultural teachings and is designed to help encourage Indigenous students to continue their self-voiced educational goals. The program coordinator and teachers work collaboratively with Friendship Centre staff, specifically Indigenous counsellors and mental health supports, to assist students with their overall well-being, personal goals, and life challenges. 

The Wiingashk Alternative Secondary School is part of an Ontario-wide network of 11 Alternative Secondary Schools supported by the Ontario Federation of Indigenous Friendship Centres (OFIFC). The OFIFC is the largest urban Indigenous service network supporting the vibrant, diverse, and quickly-growing urban Indigenous population through programs and initiatives that span justice, health, family support, long-term care, healing and wellness, employment and training, education, and research. The OFIFC represents the collective interests and vision of its 29-member Friendship Centres, which are hubs of community and gathering spaces where people can connect to their culture, access services and programs and build community.

The vision of the Friendship Centre movement is to improve the quality of life for Indigenous people living in urban environments. Education has always been an integral part of this vision, as access to culturally-safe learning opportunities that center learners’ needs and gifts is key for the wellbeing of urban Indigenous people. The Alternative Secondary School Program was first piloted in 1990, as Friendship Centre communities organized to meet the needs of students and their families, in response to major gaps in mainstream schooling that included lack of safe, culture-based, wholistic education available to Indigenous learners. The program is realized through a partnership between Friendship Centres and their local District School Board, supported by a long-standing relationship between the Ontario Ministry of Education and the OFIFC. As a program dedicated to offering personalized support to Indigenous students within a setting that combines community and academic support, the ASSP reflects Indigenous student needs and delivers education tailored to Indigenous students in an Indigenous environment.

To learn more about this program, please visit https://ofifc.org/program/alternative-secondary-school-program/  and http://www.namerind.on.ca/.

Buffalo Hide Tanning and Teachings – Part 5 – Dry Scraping the Epidermal Layer

In Part 5 of the series, the Buffalo People Arts Institute demonstrate scraping the epidermal layer of the hide.

This video reveals the physical, mental, and emotional challenges involved in days of scraping a buffalo hide. The endurance of the people scraping reveal a strong mind and strong spirit which help them arrive at the next phase of buffalo hide tanning.

Joely BigEagle-Kequahtooway and Lorne Kequahtooway are artists and leaders behind the Buffalo People Arts Institute (BPAI). Founded in 2015, BPAI became a non-profit organization whose mission is to share traditional Indigenous teachings and knowledge in order to raise social consciousness and create awareness of the power and strength drawn from blood memory and our connection to the buffalo.

In collaboration with NCCIE and Common Weal, BPAI documents the process of and teachings about buffalo hide tanning. This series of stories entitled, Buffalo Hide Tanning and Teachings, takes you on a journey of exploring connection to the buffalo while also reflecting on the social and historical realities of the buffalo and the people who rely on its survival.

Buffalo Hide Tanning and Teachings – Part 6 – Braining a Buffalo Hide

In Part 6 of the series, the Buffalo People Arts Institute demonstrate how to prepare the buffalo hide for braining, how to brain the hide, and how to scrape a brained hide.

This video reveals the physical, mental, and emotional challenges involved in days of scraping a buffalo hide. The endurance of the people scraping reveal a strong mind and strong spirit which help them arrive at the next phase of buffalo hide tanning.

Joely BigEagle-Kequahtooway and Lorne Kequahtooway are artists and leaders behind the Buffalo People Arts Institute (BPAI). Founded in 2015, BPAI became a non-profit organization whose mission is to share traditional Indigenous teachings and knowledge in order to raise social consciousness and create awareness of the power and strength drawn from blood memory and our connection to the buffalo.

In collaboration with NCCIE and Common Weal, BPAI documents the process of and teachings about buffalo hide tanning. This series of stories entitled, Buffalo Hide Tanning and Teachings, takes you on a journey of exploring connection to the buffalo while also reflecting on the social and historical realities of the buffalo and the people who rely on its survival.

Buffalo Hide Tanning and Teachings – Part 7 – Smoking a Buffalo Hide

In Part 7 of the series, the Buffalo People Arts Institute smoke a buffalo hide.

On Day 15 of buffalo hide tanning, the Buffalo People Arts Institute show how to smoke a buffalo hide with punk wood. While sitting around a camp fire they reflect on the process of hide tanning and how they learned the tanning method.

Joely BigEagle-Kequahtooway and Lorne Kequahtooway are artists and leaders behind the Buffalo People Arts Institute (BPAI). Founded in 2015, BPAI became a non-profit organization whose mission is to share traditional Indigenous teachings and knowledge in order to raise social consciousness and create awareness of the power and strength drawn from blood memory and our connection to the buffalo.

In collaboration with NCCIE and Common Weal, BPAI documents the process of and teachings about buffalo hide tanning. This series of stories entitled, Buffalo Hide Tanning and Teachings, takes you on a journey of exploring connection to the buffalo while also reflecting on the social and historical realities of the buffalo and the people who rely on its survival.

Dene Hand Games

Elders and Knowledge Keepers from northern Saskatchewan demonstrate how to play a Dene Hand Game.

Elder Martin Broussie and Daniel Alphonse from Black Lake First Nation with Allan Adam and George MacDonald from Fond du Lac demonstrate how to play a Dene Hand Game at the Prince Albert Elders Gathering in March 2020. The Dene Hand Game is a guessing game where individual players or teams of players hide objects in one of their hands. The other team must guess which hand the object is in in order to score points – be careful though, points can be stolen!

Elements of Art – Textures in Our Environment

Elements of Art – Textures in Our Environment explores the connection between art and life. It links Indigenous values, such as our connection to water and our protection of Mother Earth, to artistic representations. In this lesson, Sara Leah Hindy, a Mi’kmaw teacher, introduces the significance of place and explores textures in one of her […]

Elements of Art – Textures in Our Environment explores the connection between art and life. It links Indigenous values, such as our connection to water and our protection of Mother Earth, to artistic representations. In this lesson, Sara Leah Hindy, a Mi’kmaw teacher, introduces the significance of place and explores textures in one of her favourite places, the beach. Using a rock collected on the beach, Marcus Gosse, a Mi’kmaw artist, then guides students on an artistic journey that weaves together a story of people and place through petroglyph-inspired rock art. Following the lesson, students are encouraged to explore their own special places and create a story that they would like to share through an art piece, uniquely theirs.

The complete lesson, Elements of Art – Textures in Our Environment, can be found in NCCIE’s Teaching Resource Centre at https://www.nccie.ca.

Dancing Circles: Strong Hoop, Strong Spirit

Bringing hoop dancing to life through an instructional video.

The video, Dancing Circles: Strong Hoop, Strong Spirit (2003), is a Cree/English Instructional Resource on Hoop Dancing. The Hoop Dance is the accompanying Teacher Resource and both are aligned with Saskatchewan Learning curriculum. These resources are shared with permission from the writer, Anna-Leah King, Division Tech Media at the University of Saskatchewan, and the Greater Saskatoon Catholic School Division.

Sacred Stories and Sacred Songs by Joseph Naytowhow

Guest speaker, Joseph Naytowhow conveys the importance of learning and sharing language through story and song. 

At the Saskatoon Elders Gathering in January 2020, Joseph Naytowhow shared stories and songs with the accompaniament of the drum. Naytowhow is a singer, songwriter, storyteller, voice and stage film actor, from Sturgeon Lake First Nation. He was invited to share Cree stories and songs at the Saskatoon Elder’s Gathering, hosted by First Nations University of Canada. Naytowhow beautifully weaves stories from his experiences with songs that he has written or has come to know and, in doing so, leads participants in singing and chanting along in Cree. He reminds us that, “we are from the Earth, and the land is our mother.”

Art Petahtegoose – Thinking in Our Language and Our Role in Creation

An Elder, who is preparing Anishinaabe people to be responsible, knowledgeable about their culture, creation and to show us our own personal role in Creation.

An Elder, who is preparing Anishinaabe people to be responsible, knowledgeable about their culture, creation and to show us our own personal role in Creation.

Teresa McGregor – Anishnawbek Ways of Knowing

“Choices” is an alternative School and General Cultural Programming within Native Friendship Centre and Native Health centres. The goal of the program was to revitalize culture and incorporate Anishnawbek ways.

“Choices” is an alternative School and General Cultural Programming within Native Friendship Centre and Native Health centres. The goal of the program was to revitalize culture and incorporate Anishnawbek ways.