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What is Possible in Community? Reflecting on Harvest Days at Sturgeon Lake First Nation

Elder Willie Ermine from Sturgeon Lake First Nation shares about the process of community development and how possibilities like Harvest Days come to fruition in his community.

Elder and ceremonialist, Willie Ermine, from Sturgeon Lake First Nation is the Traditional Health Coordinator at the Lloyd Johnson Memorial Healing Lodge. It is through the Elder’s Council and the work of the Healing Lodge that brings Sturgeon Lake community members together. Ermine discusses the history of his community and shares about the uniqueness of community members. The people are special and it is with the gifts of the people that will determine what is possible. By extracting the memory of the community he hopes that community members will see themselves in the history and will find strength in that knowledge.

Case Study: Sturgeon Lake Traditional Health Program

 

Cree Language Revitalization and Reclamation

Revitalizing the Cree language, one experience at a time.

Cree scholar, Belinda Daniels, began her nēhiyawēwin language journey so that her children would be able to speak Cree and communicate with their grandparents. She believed that if she wants this for her children then there must be many others who want this for their children too. On her journey of learning Cree and finding Cree language teaching methods she decided to create the nêhiyawak Summer Language Experience. Daniels’ education, both from Western institutions and teachings from her community have prepared her for this life’s work. She hopes that when people learn the Cree language they will understand how the language comes from the land and that the language is connected to life in this place.

Resources:

  • Herman, C., Daniels, B., Lewis, K., & Koole, M. (in review). Awakening sleeping languages in Saskatchewan with culturally appropriate curricula and technology. In H. Crompton and J. Traxler (Eds.) Critical Mobile Pedagogy: Cases of Inclusion, Development, and Empowerment. London, UK: Routledge.
  • Daniels, B., & Sterzuk, A, Turner, P., Cook, W., Thunder, D., & Morin, R. (in press). e ka pimohteyahk nikanehk ote nikan: nehiyawewin (cree language): Revitalization and Indigenous knowledge (re) generation – An ethics of southern research. In K. Heugh, C. Stround, P. De Costa & K. Taylor-Leech (Eds.). A sociolinguists of the South. Routledge

Buffalo Hide Tanning and Teachings – Part 1 – Introducing Buffalo People Arts Institute

The resilience of the buffalo is in our blood and we must re-learn and remember our relationship with the buffalo. 

Joely BigEagle-Kequahtooway and Lorne Kequahtooway are artists and leaders behind the Buffalo People Arts Institute (BPAI). Founded in 2015, BPAI became a non-profit organization whose mission is to share traditional Indigenous teachings and knowledge in order to raise social consciousness and create awareness of the power and strength drawn from blood memory and our connection to the buffalo.

In collaboration with NCCIE and Common Weal, BPAI documents the process of and teachings about buffalo hide tanning. This series of stories entitled, Buffalo Hide Tanning and Teachings, takes you on a journey of exploring connection to the buffalo while also reflecting on the social and historical realities of the buffalo and the people who rely on its survival.

Buffalo Hide Tanning and Teachings – Part 2 – Making a Buffalo Bone Scraping Tool

In Part 2 of the series, Lorne shares his knowledge about and models making a buffalo bone scraping tool used on buffalo hides. 

Lorne Kequahtooway walks the audience through a demonstration of traditional tool making while discussing the history of the tools. The first steps in making a buffalo or moose bone scraping tool is to boil the bones and remove any meat or fat left on the bone. Once the bone dries there may be hair or skin on the bone that needs to be removed. Then, the edge of the bone needs to be cut at a 60 degree angle with grooves cut into the angled edge creating a serrated edge. The serrated edge is filed and sharpened which allows for a more efficient hide scraping. The last step of this process involves drilling a hole through the bone to install a leather loop handle.

Joely BigEagle-Kequahtooway and Lorne Kequahtooway are artists and leaders behind the Buffalo People Arts Institute (BPAI). Founded in 2015, BPAI became a non-profit organization whose mission is to share traditional Indigenous teachings and knowledge in order to raise social consciousness and create awareness of the power and strength drawn from blood memory and our connection to the buffalo.

In collaboration with NCCIE and Common Weal, BPAI documents the process of and teachings about buffalo hide tanning. This series of stories entitled, Buffalo Hide Tanning and Teachings, takes you on a journey of exploring connection to the buffalo while also reflecting on the social and historical realities of the buffalo and the people who rely on its survival.

Buffalo Hide Tanning and Teachings – Part 3 – Preparing the Buffalo Hide for Scraping

In Part 3 of the series, the Buffalo People Arts Institute prepare the buffalo hide for scraping.

A lot of work goes into preparing the buffalo hide for scraping. First, you start by spreading out the hide and washing it, keeping it wet so it doesn’t dry out and harden. Before working on the hide it is important to smudge and pray for the hide, to work with it in a good way. It is important to remain open to the teachings of the hide and reflect while you are working on it. Then, in order to string up the hide it needs many holes cut into the edges of the hide. In order to make the holes it is important to cut the fat off from around the edges before it is strung up, otherwise it becomes too difficult scraping around the rope and holes. After the crew is done scraping around the edge and the holes are made, they can begin to make the 10×10 frame with which the hide will be tied to and strung up so that they can begin scraping.

Joely BigEagle-Kequahtooway and Lorne Kequahtooway are artists and leaders behind the Buffalo People Arts Institute (BPAI). Founded in 2015, BPAI became a non-profit organization whose mission is to share traditional Indigenous teachings and knowledge in order to raise social consciousness and create awareness of the power and strength drawn from blood memory and our connection to the buffalo.

In collaboration with NCCIE and Common Weal, BPAI documents the process of and teachings about buffalo hide tanning. This series of stories entitled, Buffalo Hide Tanning and Teachings, takes you on a journey of exploring connection to the buffalo while also reflecting on the social and historical realities of the buffalo and the people who rely on its survival.

Buffalo Hide Tanning and Teachings – Part 4 – Scraping a Buffalo Hide

In Part 4 of the series, the Buffalo People Arts Institute demonstrate hide scraping tips and techniques.

The meditative act of scraping a buffalo hide activates and re-awakens who we are through both physical and spiritual memories in our hearts and minds. As we do this work, we remember that our ancestors were trained from a young age to do this work and by knowing this we feel connected to them. We do this work together and are committed to seeing it through which bonds us as women. Joely BigEagle-Kequahtooway explains, “just like the buffalo we have made it through the dark times of colonization, and now we have to do this hard work to make it through the next parts.” For BigEagle-Kequahtooway, the buffalo feeds her spirit and by doing this work it makes her spirit happy – one lesson is to take actions that feed your spirit.

Joely BigEagle-Kequahtooway and Lorne Kequahtooway are artists and leaders behind the Buffalo People Arts Institute (BPAI). Founded in 2015, BPAI became a non-profit organization whose mission is to share traditional Indigenous teachings and knowledge in order to raise social consciousness and create awareness of the power and strength drawn from blood memory and our connection to the buffalo.

In collaboration with NCCIE and Common Weal, BPAI documents the process of and teachings about buffalo hide tanning. This series of stories entitled, Buffalo Hide Tanning and Teachings, takes you on a journey of exploring connection to the buffalo while also reflecting on the social and historical realities of the buffalo and the people who rely on its survival.

A Case Study and an Assessment Framework for Land-Based Learning

Cree immersion and culture camps offer participants a culturally responsive education.

Founder of kâniyâsihk Culture Camps and initiator of the Cree Immersion School at Ministikwin Lake Cree Nation, Kevin Lewis is an Indigenous academic who has brought what he has learned about educating back to his community. Lewis is committed to land-based learning and Cree education and hopes to ensure his programs provide people, young and old, with a culturally responsive education. In order to evaluate these programs, he enlisted a colleague as an external reviewer who has experience establishing Maori schools and language centres in New Zealand. By evaluating both the school and the culture camps Lewis is learning about what students and parents are feeling, wanting, and thinking about these programs, which has informed how the program changes and adapts over time. The case study is considered a snapshot of the programs at a particular moment in time, and when the case study is combined with the Structured Assessments Framework for Land-Based Learning at kâniyâsihk Culture Camps, it becomes a model for evaluating such programs.

Art Petahtegoose – Thinking in Our Language and Our Role in Creation

An Elder, who is preparing Anishinaabe people to be responsible, knowledgeable about their culture, creation and to show us our own personal role in Creation.

An Elder, who is preparing Anishinaabe people to be responsible, knowledgeable about their culture, creation and to show us our own personal role in Creation.

Teresa McGregor – Anishnawbek Ways of Knowing

« Choices » is an alternative School and General Cultural Programming within Native Friendship Centre and Native Health centres. The goal of the program was to revitalize culture and incorporate Anishnawbek ways.

« Choices » is an alternative School and General Cultural Programming within Native Friendship Centre and Native Health centres. The goal of the program was to revitalize culture and incorporate Anishnawbek ways.

Creating Cultural Space for Change

Lonny is Traditional Knowledge Holder working to fill in what were cultural blank spaces with Indigenous dialogue and narrative to create a meaningful cultural support to the clients and staff of the Rotary House. Lonny discusses how important it is to create cultural space for not only clients but also for front line workers dealing […]

Lonny is Traditional Knowledge Holder working to fill in what were cultural blank spaces with Indigenous dialogue and narrative to create a meaningful cultural support to the clients and staff of the Rotary House. Lonny discusses how important it is to create cultural space for not only clients but also for front line workers dealing in the field of mental health. Cultural space is necessary for people to experience what is meaningful for them and to start healing steps. He shares the five components required for Indigenous Education to be truly culturally based and grounded.